Tuesday 8 February 2011

Flash Demo Day!


Tuesday 8th February
Reflective Practice
Adobe FLASH

Neil gave an insight into the features of Flash as a presentation tool.
It amounted to a speed read of a new programme but gave enough to get a sense of the menu’s buttons & capabilities of Flash. Given we had scratched the surface of Adobe In design & Photoshop the similarities were there to see and although I would want to use such a product for our brief I was glad of the opportunity to use. Not having any Adobe products will restrict my use to class based time but may try to get a home license in time. 

Reflective Practice Report:
Post lesson I have begin to produce the report describing my progress on the Foundation Course to date. The deadline is 27th May but I have brought the word count upto over 600 and will bounce this off Neil before proceeding. Before I can proceed I require the final marks from Term 1 from Mark for 'Understanding the Media'. It's been six weeks now and without pressing I can imagine the deadline will have passed before I know if I have even passed the module's completed so to give an honest assessment until I know would be a little premature. 

Monday 7 February 2011

Final Designs for Auriga Redux

Continued from previous blog:
Monday 7th February

So once Alicia, Nicola & Jamie had posted all their designs up on the display boards for analysis it was clear that there was a clear contrast in styles. While the more cartoon styled characters appealed, they were quirky, novel and would be far easier to model! they didn't get the group vote to carry them through into the game.
As a reminder the following are the things I will need to model to fulfil my role in the brief.
The Player Character
Zeus: As created by Alicia









The Polygon count on an image/3d model such as this will be high and the limit has now been increased from 2000 to 00000


Designs Still to follow ...
The Chariots

The Floor and the Sky

Maya & Woody Dead & Buried

Monday 7th February 2011

A non event was Monday 7th February. 

At 4pm today I attended the funeral of a work colleague who sadly was killed instantly in a road traffic accident last Saturday. To mark this sad event I have dug out one of the many crazy photoshop images that Paul created. He first made the yellow characters during an Easter stick & paste session we had one day when we were working hard ;) Apparently his hard drive was full of these madcap creations and he remains an inspiration to everyone who knew him. 
R.I.P 
In Memory of Paul Woodcroft (Woody)
















As the license's for Maya have expired too then all we could do was to look at the 2d final designs that were submitted for assessment. 
From these Final designs our class were able to come to a conclusion as to which designs we wanted to feature in the Auriga Redux game. 

See next blog for more.. 

Saturday 5 February 2011

Early Prep for Reading Week

Saturday 5th February
Early Preparation for reading week.

Piles of books seem to growing on my dining room table. Some have been there for some weeks & are now doubling up as place mats. Although they tend to be on the thick side for place mats they all seem to have a wipe clean surface. As I referred to in an earlier entry I have referenced the book pile. I wanted to only attach a link to the file that holds the book list but word seemed to want to import the whole file so I’ve just imported some of the key texts in this blog and kept the rest as a separate file.

New media : a critical introduction
by Martin Lister and others.302.23,London : Routledge, 2009.415431603



At 466 pages this is a book for skimming!
In the introduction there is a section, How to use the book that states, “This is a large book that covers a great deal of ground. It is likely that most readers will consult one part or another at different times rather than read it in a linear fashion from cover to cover”.
What a relief as aside from time it would take a slow reader like myself to cover this book from cover2cover I would have lost any will to read again and life is too short.
The authors do admit that that the book covers a number of issues that may not always be relevant to a related discipline and that they have tried to avoid the use of overly technical academic language & provide explanations of the concepts they explore. Case studies feature highly and an extensive bibliography is at the end of each chapter.
The book’s parts:
Part1: New Media & New Technologies
Part2: New Media & Visual Culture
Part3: Networks, Users & Economics
Part4: New Media In Everyday Life
Part5: Cyberculture: Technology, Nature & Culture

The website extends the reach of the book into further reading, additional case studies and Internet resources. In this it asks you the reader & the website user to do some synthetic work of your own: this site provides the links, you need to make the connections

Relating back.
CASE STUDY 2.3: What is Bullet Time p152 refers The Matrix [1999] and how the CHI special effects were shot and draws the comparison with Eadweard Muybridge‘s experiments with sequences with still cameras to capture movement in the 1880’s & 1890’s is striking.
CASE STUDY 2.4: Computer Animation p.155
This case study talks about how cinema presented it’s own ‘magical’ technological attractions by channeling into animation & how digital cinema welcomed, what had become a marginalised form back to the centre of moving image culture. “Once prevalent assumptions that computer animation will achieve full photo-realism (generating characters & environments indistinguishable from those filmed conventionally) have been set back years recently.
The study states, “ The materialist analysis of competing codes of Verisimilitude, (noun, the appearance of being true or real) is instructive here. It talks about the weakness of 3D animation with the technical & economic obstacles to the digital rendering of complex textures & shapes. Using the examples of complex structures like the human body, hair or atmospheric effects not lending themselves easily to 3D.
These case studies need to be read around the rest of the chapter to fit into place so this is where I will read around today. This and the several page, Glossary of terms, many of which could fill a chapter with their meaning and understanding of how their terminology would fit into the New Media world. 

Friday 4 February 2011

Muybridge Related to My Work


Related Work:
Part of Muybridge’s work focus around nudes and he classified the works as follows

I could relate this to my limited Life Drawing classes (Monday 4:15-5:45) as the pictures Muybridge took, aside from some seeing as cheap eroticism focuses around the movement of the models limbs whatever the act he asked the model to pose. Be that smoking, dancing, walking even bathing. 

Self Directed Study - Muybridge via BBC & Sky+


Friday 4th February 2011

Self-Directed Study
Remembering I had recorded the BBC Imagine series that featured Muybridge I took to finding it off the digital planner & I had kept it for reference. Although I missed the start of the broadcast it still recorded enough to get a feel for the story of Muybridge & the influence he had & still has on the work of artists/photographers and animators still today. 

Eadweard Muybridge
Featured in The Pixar Story, was a scene familiar from last term.
It was a shot of the Zoopraxiscope.
From Wikipedia, the free encyclopedia. http://en.wikipedia.org/wiki/Zoopraxiscope
The zoopraxiscope is an early device for displaying motion pictures. Created by photographic pioneer Eadweard Muybridge in 1879, it may be considered the first movie projector. The zoopraxiscope projected images from rotating glass disks in rapid succession to give the impression of motion. The stop-motion images were initially painted onto the glass, as silhouettes. A second series of discs, made in 1892-94, used outline drawings printed onto the discs photographically, then colored by hand. Some of the animated images are very complex, featuring multiple combinations of sequences of animal and human movement.
The device appears to have been one of the primary inspirations for Thomas Edison and William Kennedy Dickson's Kinetoscope, the first commercial film exhibition system. Images from all of the known seventy-one surviving zoopraxiscope discs have recently been reproduced in the book Eadweard Muybridge: The Kingston Museum Bequest (The Projection Box, 2004).

Extract from the BBC Imagine website.
Pioneer photographer, forefather of cinema, showman, murderer - Eadweard Muybridge was a Victorian enigma. He was born and died in Kingston upon Thames, but did his most famous work in California - freezing time and starting it up again, so that for the first time people could see how a racing horse's legs moved. He went on to animate the movements of naked ladies, wrestlers, athletes, elephants, cockatoos and his own naked body, projecting his images publicly with a machine he invented and astounding audiences worldwide with the first flickerings of cinema. Alan Yentob follows in Muybridge's footsteps as he makes - and often changes - his name, and sets off to kill his young wife's lover. With Andy Serkis as Muybridge.
The Foundations of Cinema?
The attitudes of Animals in motion, Leland Standford
Turned to art to prove a scientific point.
Does he deserve the credit for the pictorial representation of movement?
Muybridge’s Experiments
Among the first applications of chronophotography were the investigations conducted in Paris by Professor J. Marey around 1870, which related human and animal motion by means of various mechanical devices. He called the photographic records chronographs. An American racehorse owner, Governor Leland Stanford of California, doubted the results of some of Marey’s investigations into the locomotion of racehorses—in particular the hypothesis that there was one instant when a trotting horse had all of its feet off the ground simultaneously. E. J. Muybridge, an English photographer living in San Francisco, was commissioned to confirm Marey’s findings.

Too Late! L
Looking on-line I just came across the exhibition that ran until the 16th January at Tate Britain. If I had known I would have loved to attend. Really pissed off! I’ll have to make to with the exhibition guide
http://www.tate.org.uk/britain/exhibitions/eadweardmuybridge/room1.shtm

Other Muybridge Related Links:


Links to artists:
Jean-Louis-Ernest-Meissonier
Edgar Degas
http://www.impressionniste.net/degas_edgar.htm



Thursday 3 February 2011

Revisit to Pixar


Thursday 3rd February 2011

Professional & Contextual Studies

This lesson did not happen today so instead I used the time to re-watch and write up the blog entry from Tuesday 25th, The Pixar Story by Leslie iwerks- An award winning filmmaker tells the riveting story of the innovative Company that revolutionized Hollywood.
This took longer than anticipated due to the continual pausing/playback/writing up and research that all the elements of the film uncovers. It covers decades of time from the 70’s through to present day and to do it justice took a far amount of time and patience. It opens up huge potential should time allow to explore either the characters, companies, developments in hardware & software and the medium of marrying 2d with 3d which is at the essence of the film. While it was cool to revisit the film for the 120 mins it runs it is two less hours of Maya practice so back to Maya tutorials tomorrow! 

Tuesday 1 February 2011

Sellick, Lasseter? Who Then?


Tuesday 1st February  2011

Reflective Practice

No flash today ;( - Due to some projector problems we were not able to get the insight into Flash that I was looking forward to. Instead we worked on our Brief project.
Began to look further and make a decision into which artist I will focus on for the brief.
Although I researched John Lasseter initially I wanted to explore some maybe lesser known artists so looked at Henry Sellick and then branched off towards Leika. I came across Sellick’s work through the film Coraline.



















Leika were the studio behind this animated film and in my mind this film pushed stop-motion as a craft back into the main stream conscious and brought Leika & Henry Sellick great acclaim.
Reading on I see that Sellick has now 2010 which pus a bit of a dampner on things. I will make a decision before the week is out and start to look into some serious research and background reading.